Automatic art? Well, the original sketches are and the words these beings say are; and they were drawn in a sequence of pages in my sketch book with a pen. I feel like a pen is automatic in origin, because I can't erase anything until I put it into digital space. So I'd say this is a digitally edited automatic. I consider it automatic because I have no idea who these characters are, as yet. Never met them, except as "energy" nagging for a space to speak on the page. And I just think, okay, that's great, I don't mind at all, I like sketching EMFs. At least "beings" don't tell me off and make me feel guilty for making art out of them. In fact I feel they want me to draw them and if I don't, they tend to make me feel bad until I get them down there doing stuff I have had no idea about.
So where is the cunning plan? Ah, I can't assume to be privy to that just yet. That would take the excitement of the draw away.
About Me
Saturday, March 1, 2008
Sunday, February 24, 2008
Electric build up and gwtfing
I have reasons to believe that everything you do is more than something else that we’ve gotten into. I have all these things inside of me that raise-up the ride and take themselves on the streams that gaze at meaning where laws wake and begin the dreams you can’t fake. That’s the hope there. I want that. I want this and your reckoning in there, so it can be shown that automatic is a nuance of reasoning. It isn’t just a witch’s seasoning.
With you, there is a flow through. I can see how things are being marked down and made to stretch at a point which someone graved. And you’re aching with needs that don’t warrant a closure for any other reason than that something too strong is going to ruin the ribbon that warms the ways we share.
[That’s an automatic write. It flows in a rhythmic tap of keys without a point of pause between: it’s also what I call gwtfing.]
To create, I am listening to what is going on in the external world, feeling and sensing the differences, similarities and how they all add up. That is where the automatic arrives. And then must be somewhat edited, so it has a place with which to play that has something to anchor it and make it relevant to current understanding.
With you, there is a flow through. I can see how things are being marked down and made to stretch at a point which someone graved. And you’re aching with needs that don’t warrant a closure for any other reason than that something too strong is going to ruin the ribbon that warms the ways we share.
[That’s an automatic write. It flows in a rhythmic tap of keys without a point of pause between: it’s also what I call gwtfing.]
To create, I am listening to what is going on in the external world, feeling and sensing the differences, similarities and how they all add up. That is where the automatic arrives. And then must be somewhat edited, so it has a place with which to play that has something to anchor it and make it relevant to current understanding.
It is often the affirmation of society that often makes a project worthwhile continuing. However, it can take a while to sort out a way to present it so that it meets the needs in society.
Art inspires and brings out a new ideas in many fields. So it is important to be confronting and seemingly irrelevant at first. Because that’s what it is to be looking at a current which has not yet had its story told and sold. The current never disappears. It’s always there if you want to listen and tap in. And the results of sensing these electro-magnetics, will depend on who you are, where you are, and what is surrounding you.
Labels:
automatic art,
creations,
Electric build up,
gwtfing,
Initially NO,
painting,
surroundings,
the current,
what,
where,
who
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